Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Louis Tocque
Portrait of Maria Teresa of Spain as the Dauphine of France

ID: 76213

Louis Tocque Portrait of Maria Teresa of Spain as the Dauphine of France
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Louis Tocque Portrait of Maria Teresa of Spain as the Dauphine of France


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Louis Tocque

Paris 1696-1772  Related Paintings of Louis Tocque :. | Retrato do Marques de Marigny | Portrait of Marie Leszczynska Queen of France | Portrait of Empress Elizabeth Petrovna | Portrait of mademoiselle de Coislin | Retrato do Marqu de Marigny |
Related Artists:
aleijadinho
Aleijadinho (b. Antônio Francisco Lisboa; 1730 or 1738 ?C November 18, 1814) was a Colonial Brazil-born sculptor and architect, noted for his works on and in various churches of Brazil. Born in Vila Rica (Rich Town), whose name was later changed to Ouro Preto (Black Gold), Brazil, in 1738 (sometimes said to be in 1730) he was the son of Manuel Francisco de Costa Lisboa, a Portuguese man and his African slave, Isabel. His father, a carpenter, had immigrated to Brazil where his skills were so in demand that he appears to have been elevated to the position of architect. When Antonio was young his father married and he was raised in his father's home along with his half siblings. It was there he is presumed to have learned the fundamentals of sculpture, architecture and the combination of the two. Antonio first appears as a day laborer working on the Church of Our Lady of Carmel in the town of Ouro Preto, a church designed by his father.
Charles Tournemine
French 1812-1872
COORTE, Adriaen
Dutch Baroque Era Painter, ca.1660-1707 Dutch painter. He painted mainly small still-lifes, but contrary to the contemporary fashion for increasingly complicated representations of flowers and fruit, he preferred to paint single objects arranged as simply as possible. Coorte's subjects were generally fruit or vegetables, sometimes shells and, more rarely, flowers or vanitas arrangements. These are generally arranged on a stone plinth or slab, often with a crack or groove on the front edge. In the larger paintings the composition is sometimes enclosed in a niche






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